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Orozco, Norma <br />From: <br />Sean De Wine <dewine9@aol.com> <br />Sent: <br />Monday, October 18, 2021 11:13 AM <br />To: <br />eComment, Lopez, Jessie; !City Clerk <br />Subject: <br />Public works, RFP Arts Council, Skeith DeWine <br />Categories: Correspondence <br />October 15th, 2021 <br />Dear Santa Ana City Council Members, Arts Commissioners and Staff, <br />My name is Skeith DeWine and I am one of the applicants for the South Main Public Arts Initiative. My project was <br />dismissed from the application process without my having the ability to clarify my proposal or answer any questions about <br />my project. Further, it appears that many of the Arts Commissioners just skimmed through the project rather than read it <br />and see that I supplied many answers to Arts Commissioner questions that were raised about my project. <br />Especially frustrating is that during the creation of the "RFP" no consideration was given to budget guidelines for Public <br />Art submitted. To this day, I do not know what the budget specifications are and have been denied a response when I <br />requested an answer. Further, no vision statement, thematic or design guidelines were supplied at the time of RFP <br />release. <br />Information was very vague on support from the City of Santa Ana in offsetting the costs and technical execution of our <br />Public Art submissions. This especially relates to technical aspects of a project like electrical connections, foundations or <br />sidewalk construction. <br />Are they to be carried out by the City or at the expense of the Artist? <br />That has still not been clarified to this point in time. Another huge misstep was to have no Information Sessions, <br />Application Workshops, or Technical Assistance supplied by the City of Santa Ana. These workshops are vital and a <br />common practice in just about every other city in California, like San Francisco, Los Angeles, and San Diego. <br />I am an Arts Professional and have helped build up Santa Ana's art community for a great many years, including Co - <br />Founding the Santa Ana ArlWalk and being the Santora Arts Building's longest lease holder. As I have invested heavily in <br />this city, in branding it and help bring investment, I merit some consideration by Arts Commissioners. <br />At the last ACC meeting, Arts Commissioners made glib comments about historic Santa Ana and the culture of the <br />Main Street District. The addition of Historic Themes seems like it was added as an afterthought. With no Historical Info <br />Session, artists were challenged to modify projects already being envisioned. The four -week extension given to <br />accommodate the contextual themes, could have helped artists flesh out historical concepts with workshops and <br />Technical Assistance. I watched two of my art colleges drop out because they did not have enough time to modify their <br />projects. <br />Bringing more humiliation to the submission process was the confusion caused as 3 Arts Commissioners resigned <br />during the RFP submission period. When I inquired why, no explanation was given. <br />More upsetting is to recently learn that several Santa Ana Arts Commissioners are professional and creative <br />colleagues of applicants submitting to the South Main Street Public Arts Initiative. <br />Why didn't these Commissioners recuse themselves from the selection process? <br />In my experience serving on arts boards throughout California, a separate Selection Committee is recruited to promote <br />equity and unbiased voting. These committees are usually comprised of regional arts specialists. Implementing a fair and <br />unbiased assessment of Public Art proposals is essential, because they are supported with public funds from city tax <br />payers. <br />