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Cost Proposal <br />EXAMPLES OF CONTROLLING COSTS <br />NORMANDY AMERICAN CEMETERY <br />Controlling Costs Through the Design Stages <br />Color -Ad teamed with a design firm to provide overall exhibit planning and design, fabrication, <br />transportation, and installation for the exhibit upgrades. Given that the site and exhibition is a focal <br />point for remembrance, material quality was specified to the highest standards during the design <br />stages. Our project manager and estimator worked with the design firm to provide steady feedback <br />on material specifications, fabrication techniques, and cost effective implementation methods to <br />provide a high quality and robust exhibition that could stand up to the high volume of use, while <br />ensuring we were designing to the given budget. <br />For example, our designer provided concept presentations at various levels of development for our <br />review. Based on their concepts, we provided itemized budgets for each exhibit area and element. <br />As the concepts became more refined, we began providing suggestions for material specifications <br />and fabrication techniques that would achieve the design intent yet not exceed the budgets we <br />provided. <br />JIMMY CARTER NATIONAL HISTORIC SITE <br />Achieving the Desired Design Intent Within the Budget <br />The jimmy Carter project was a true working collaboration between Color -Ad and the cllent to achieve <br />outcomes that were either not conveyed in the bidding documents or not fully developed at the time <br />of bid. For example, the bid documents portrayed a solid mass bas relief model of the windmill at <br />Jimmy Carter's boyhood home but the client had intended it to be a wire frame reproduction. <br />Since the budget for the exhibit piece was not sufficient to fabricate a wire frame windmill, our team <br />devised a way to create the windmill as an electronic 3D wire frame model without exceeding the <br />original budget for the bas relief windmill. Our 3D modeler created a digitally sculpted rendition of <br />the windmill and we CNC-milled the objects out of a combination of suitable materials to provide the <br />look desired by the client. <br />ALBUQUERQUE MUSEUM <br />Value Engineering Museum -Quality Case <br />Color -Ad coordinated with the client and designers to provide high quality exhibits that remained <br />within the existing budget. Our estimators, project managers, and fabrication specialists collaborated <br />on the value engineering of 16 glass exhibit cases and 69 wall and base vitrines for a total savings of <br />$90,000 from the original specifications. <br />Our team took special considerations while value engineering the case package to preserve the <br />intended function, durability requirements, and design intent. This included analyzingthe conservation <br />requirements of each case, understanding the access requirements of each case, and studying the <br />display requirements and desired artifact layouts for each case. <br />PR57 Reich&Petch SIGNS ANJ EXHIBITS <br />