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EXECUTIVE SUMMARY Exhibit B <br />DUGGAN HOUSE <br />825 North Lacy Street <br />Santa Ana, CA 92701 <br />NAME <br />Duggan House <br />REF. NO. <br />ADDRESS <br />825 North Lacy Street <br />CITY <br />Santa Ana <br />ZIP <br />92 001 <br />ORANGE COUNTY <br />YEAR BUILT <br />1906 <br />LOCAL REGISTER CATEGORY: Landmark <br />HISTORIC DISTRICT <br />French Park <br />NEIGHBORHOOD <br />I French Park <br />NATIONAL REGISTER CRITERIA FOR EVALUATION <br />I C <br />NATIONAL REGISTEIt STATUS CODE <br />ID <br />Location: ❑ Not for Publication ® Unrestricted <br />❑ Prehistoric 0 Historic ❑ Both <br />ARCHITECTURAL STYLE: Mixed: Queen Anne (Late Victorian), Bungalow/Craftsman, Colonial Revival <br />The Queen Anne (Late Victorian) (also known as the Queen Anne Revival) dominated residential architectural design during the last <br />twenty years of the nineteenth century in the West, and was nearly as influential on early commercial buildings. Identifying features <br />include the front -facing gable roof; ornate decoration of wood or metal along the eave and in the gable end; avoidance of flat wall <br />surfaces through the use of applied ornamentation of wood or metal; and classical columns or pilasters. Multi -storied residential and <br />commercial examples often incorporated bay windows, sometimes topped with towers. The style borrowed heavily from late <br />Medieval models, with the addition of other regional interpretations. Some of the most well -developed examples can be found in <br />California and in the southern states (McAlester, 263-268). <br />Closely related to the English Arts and Crafts Movement, American Bungalow/Craftsman architecture was popularized by The <br />Craftsman magazine and architects such as Charles and Henry Greene of Pasadena. It drew from the wood building traditions of <br />Japan and Switzerland as well as the medieval themes favored by the Arts and Crafts philosophers. Craftsman architecture stressed <br />honesty of form, materials, and workmanship, eschewing applied decoration in favor of the straightforward expression of structure. A <br />new appreciation of nature was evident in horizontal lines that reached out to embrace the landscape and the incorporation of <br />capacious porches into building plans. Primarily a residential style, Craftsman architecture can be identified by low pitched gable and <br />hipped roofs with exposed rafters and beams in deep overhangs; wood lap or shingle siding and an occasional use of stucco; extensive <br />use of stone or brick as a secondary material; horizontal emphasis apparent in roof lines, headers, and battered porch supports; slid <br />broadly proportioned wood framed windows, often clustered in bands. Craftsman homes were built from circa 1902 until the early <br />1920s. <br />The most universal of all American domestic building styles, the Colonial Revival has been popular since the 1876 Centennial <br />celebration in Philadelphia stimulated a patriotic interest in the American architectural past. Whether drawing upon Georgian, <br />Federal, or Dutch Colonial prototypes, Colonial Revival buildings feature rectangular building plans and designs which are usually <br />symmetrical, or at least highly regular and balanced, in composition. Roofs are commonly side -gabled, hipped, or gambreled, <br />sometimes accented with dormers. Porches, one or two stories in height, are often included, mostly as central focal points, and <br />frequently incorporate classical elements such as columns, pilasters, and entablatures. Doorways are adomed with classical surrounds <br />and pediments; sidelights, transoms, and fanlights are not uncommon. Windows are typically double -hung sash, with multiple lights <br />in the upper sash. French doors and Palladian windows are also utilized. Depending on location, Colonial Revival buildings have <br />wood, brick, or stucco exteriors (McAlester, 320.326). <br />cm\hisbricUemplales\Lacy N 825 ES (Duggan House) <br />6/20/02 <br />