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Santa Ana Arts Future <br />Community Arts and Cultural Master Plan <br />The National Endowment for the Arts uses arts economist Ann Markusen's definition of <br />creative placemaking. She asserts that in creative placemaking, public, private, nonprofit, and <br />community sectors partner to strategically shape the physical and social character of a <br />neighborhood, town, tribe, city, or region around arts and cultural activities. <br />"[Creative placemaking is] <br />... the intentional use of arts <br />and culture to shape the <br />physical, social, and <br />economic future of <br />communities, which <br />strengthens economic <br />development, promotes <br />civic engagement, and <br />contributes to quality of <br />life. In short, art is a verb, <br />and creative placemaking is <br />using art to change a <br />place." <br />- Kimberly Driggins, former <br />associate planning director, <br />District of Columbia <br />Santa Ana has all the elements for creative placemaking already <br />at its disposal: working artists in a variety of creative sectors, <br />public sector organizations dedicated to strengthening quality of <br />life and community engagement, a collaborative spirit, a city of <br />neighborhoods and areas in which placemaking can be <br />developed, and residents who are enthusiastic participants. <br />Placekeeping, on the other hand, addresses the importance of <br />honoring the cultural lives of the community, of making sure the <br />cultural history is protected and preserved. Jess Solomon, <br />Executive Director of Arts in Praxis suggests, "Placekeeping has <br />been described as the active care and maintenance of a place <br />and its social fabric by the people who live and work there. It is <br />not just preserving buildings but keeping the cultural memories <br />associated with a locale alive, while supporting the ability of local <br />people to maintain their way of life as they choose." <br />Often there are concerns that creative placemaking initiatives will lead to gentrification, tourism <br />or development. These concerns are not unwarranted and should be addressed as part of the <br />process through municipal zoning, development and housing policies, as well as through <br />carefully designed community and stakeholder engagement efforts. <br />Public Art <br />In Santa Ana, public art is a priority for residents for multiple reasons, <br />"We want to see art including city beautification; engaging youth with mural art; showcasing <br />integrated into the national, regional, and local artists; addressing public safety; and <br />everyday in our activating public spaces. Santa Ana residents are proud of the city's <br />city." <br />,-Discussion group history and heritage and want to express this in tangible, visible ways. <br />participant <br />Many see the definition of public art as permanent art installed in public <br />spaces, but the definition and impact of public art on a community is <br />much broader. Public art is a community investment in creativity that <br />shapes, enhances, and activates public spaces. In its best realization, public art has the power <br />to transform communities, invigorate and energize their populations, inspire passion and <br />enthusiasm about the built environment, and engender communal ownership in artworks and <br />the neighborhood at large. Public art has turned communities from anonymous series of <br />spaces into rich landscapes reflecting history, embracing and honoring cultural differences, <br />and teaching social values. Public art moves beyond improving aesthetic quality within <br />neighborhoods and communities, by reinforcing social connections and fostering improved <br />health outcomes. <br />20 <br />65B-24 <br />