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CRUZ, VICTOR-2016
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CRUZ, VICTOR-2016
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Last modified
10/18/2016 10:59:59 AM
Creation date
10/17/2016 10:44:02 AM
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Contracts
Company Name
CRUZ, VICTOR
Contract #
A-2016-188
Agency
COMMUNITY DEVELOPMENT
Council Approval Date
7/5/2016
Expiration Date
6/30/2017
Destruction Year
2022
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I am applying for:: <br />Equipment, Materials & Supply,Other <br />If other please state below:: <br />Research <br />Artist Statement: <br />Victor Cruz — Artist Statement <br />Mainly focusing on older working class immigrants for this project, my artwork <br />reflects and pays tribute to their laborious, tedious and seemingly endless exertions. <br />The creation of woodcut portraits and the subject's work environment serve to illustrate <br />that from these repetitive and strenuous labors can arise something unique, beautiful, <br />and essential to society like the works of "tamaleras, paleteros, food truck workers, fruit <br />vendors, jornaleros" that only the hand can produce. <br />The materials I use to create these pieces such as wood and various hand tools <br />further parallels this working sector. The hundreds and even thousands of deep cuts <br />composing the art pieces also aim to imitate the subjects' day -to -day struggles, and how <br />those struggles compose their stories. The woodcuts being made on sturdy, large -scale <br />wood panels speak on the subjects' longevity in their occupations since some have <br />been plying their trade in the very same spot for decades. <br />Documenting the stories and work procedures of these individuals provide a <br />meaningful connection to the viewer and humanize the worker. Knowing that the <br />tamalera starts her process at tam and ends sales in the evening allows the consumer <br />to appreciate her and the end product to a greater degree. Often times we interact with <br />this specific working class yet never come to know their names. Bringing a name to the <br />nameless can have a significant impact on viewer and subject. <br />The installation of these works in multiple spaces in Santa Ana will serve to <br />juxtapose the city's continuing development. The installations aim to endure, like their <br />corresponding subjects, in a time where there is great change and at the very least <br />state that "They were here and were truly long standing, cultural monuments to the city ". <br />Narrative for proposed use of funds:: <br />Being an undocumented student has posed several challenges throughout my life. <br />One of the major obstacles has been financing my education and artwork. I excelled in <br />both high school (ranking 7/963) and a demanding, top arts institution like Pratt Institute <br />(achieving A's and B's). Even with various and significant scholarships I have had to <br />take several years off from school due to finances and medical expenses. Medical <br />care has also been a challenge. This grant will allow me to obtain proper equipment <br />that will last decades and would further my artwork and contributions to my community. <br />Four distinct works will be created each composed of a subject /subjects from <br />different wards of the Santa Ana. These works range from 3 ft. by 5 ft to 4ft by 8ft. <br />Research will precede the creation of the woodcuts. After the woodcuts are complete <br />they will be photographed and vectorized in Adobe Photoshop or Illustrator where color <br />will be added. These digital prints will have OR codes directing viewers to the website. <br />Hand - prints will also be produced using traditional means. After installation and <br />website development the project will be uploaded with the works available for purchase. <br />
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