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entirety. Drawing from distant corners of a singular city, the exhibition will create a visual <br />portrait of common humanity, as well as a reminder of the challenges and privileges that <br />color deeply personal desires. I would like the project to culminate in a community meal <br />at the end of the exhibition, where each participant, along with their families and friends, <br />can use the dishes, share food, and take the plates home to their own kitchens as a <br />permanent, functional reminder of the collaboration. <br />Supplemental Question 1:Please describe any additional City of Santa Ana <br />resources required for your project (permits, public space, licenses etc.)?: <br />I will need a permit from the City to host a moderately-sized outdoor meal for 40-50 <br />people in the courtyard in front of Grand Central Art Center for one afternoon. No <br />alcohol will be served. <br />Supplemental Question 2: Is this a new or existing program/project?: <br />This is a new project, specific to Santa Ana. <br />Supplemental Question 3: How will the proposed project be presented or shared <br />with the public? Will the art display, event or performance be free and accessible <br />to the public?: <br />The collection of plates will be shown in a salon -style exhibition where they will be <br />mounted on the wall at Grand Central Art Center's project gallery. The display will <br />absolutely be free, viewable from the street, and open to the public for viewing and to <br />participate in. <br />I would like to invite further participation from viewers by providing extra blank plates in <br />the space, so that additional visitors have the opportunity to add to the exhibition while it <br />is up, and can return for the meal at the end of the month-long show if they so choose. <br />Supplemental Question 4: How will this project enrich the Santa Ana arts and <br />culture community?: <br />To execute the project, I plan on renting Nancy Alcala's ceramic kiln to fire the enamel <br />onto the plates, and in doing so will be supporting a local artist who has their own <br />community outreach program. I will be utilizing Grand Central Art Center's exhibition <br />space, and will be bringing in individuals who might not otherwise visit Grand Central or <br />downtown Santa Ana. The potluck is also a visual reference to the public meals that <br />have been held in Santa Ana over the years, but contrasts in its more modest size and <br />potluck style. The project itself will bring a vibrant blend of individuals from the creative <br />community, student population, long-time residents of Santa Ana, individuals from what <br />are often considered marginalized socio-economic backgrounds, and families from <br />diverse cultures all into one space, and to one table together, if only for an afternoon. As <br />part of the documentation of the project, I plan on creating a small visual chapbook (with <br />the help of local published author and friend Sarah Garcia) to distribute to the <br />participants, as well as have copies available for purchase through local venues like <br />Libromobile and Grand Central Art Center after the project is complete. <br />The project's exhibition and the printed documentation will give the public an opportunity <br />