My WebLink
|
Help
|
About
|
Sign Out
Home
Browse
Search
Item 10 - Public Art and Preservation Policy
Clerk
>
Agenda Packets / Staff Reports
>
City Council (2004 - Present)
>
2026
>
05/05/2026 Regular, HA
>
Item 10 - Public Art and Preservation Policy
Metadata
Thumbnails
Annotations
Entry Properties
Last modified
4/29/2026 11:31:45 AM
Creation date
4/29/2026 11:31:25 AM
Metadata
Fields
Template:
City Clerk
Agency
Community Development
Item #
10
Date
5/5/2026
Destruction Year
P
There are no annotations on this page.
Document management portal powered by Laserfiche WebLink 9 © 1998-2015
Laserfiche.
All rights reserved.
/
25
PDF
Print
Pages to print
Enter page numbers and/or page ranges separated by commas. For example, 1,3,5-12.
After downloading, print the document using a PDF reader (e.g. Adobe Reader).
View images
View plain text
EXHIBIT 1 <br /> More information regarding city permits can be found here: htips://www.santa- <br /> ana.org/permits-counter/ <br /> 2.3 Site Selection <br /> Public art will be placed in highly visible, accessible areas within Santa Ana parks,plazas, <br /> and other public spaces. Site selection will consider pedestrian activity, overall visibility, <br /> and compliance with safety, infrastructure, and accessibility standards. Locations will also <br /> be evaluated for their historical, cultural, and environmental relevance. Physical <br /> characteristics such as walls, surfaces, landscaping, and sun exposure, as well as potential <br /> weather or vandalism impacts, will inform placement decisions. Selected sites should <br /> complement and enhance the surrounding environment. The City will make the final <br /> determination on placement of the artwork. <br /> 2.3.1 Site Suitability <br /> Artwork locations should prioritize structurally suitable surfaces. <br /> • Where existing structures are used, early evaluation of wall condition and <br /> long-term stability helps prevent premature deterioration. Those walls should <br /> be evaluated by an engineer for settlement and movement prior to artwork <br /> installation to prevent cracking or damage over time. <br /> • If installed on private property walls facing the public right-of-way, an <br /> agreement with the wall owner must be in place that grants the City rights to <br /> access, reconstruct, maintain, etc. The owner must agree to preserve the art <br /> rather than simply painting over it or reconstructing the wall without some <br /> form of notice or approval, especially if the art was funded by the City. <br /> 2.3.2 Historic Properties <br /> Art installations on sites determined eligible for historic preservation or existing sites <br /> on the Santa Ana register of historic properties shall be subject to approval by the <br /> Historic Resources Commission(HRC)if issuance of a certificate of appropriateness <br /> is required, or for a formal recommendation to the City Council if required, as <br /> determined by Chapter 3 0 of the Santa Ana Municipal Code. Specifically, any public <br /> art installation involving physical attachment to, or significant visual alteration of, a <br /> historic resource must be evaluated by the HRC to ensure the project does not damage <br /> historic fabric or diminish the site's integrity. This evaluation shall confirm that the <br /> installation methods are reversible where feasible and that the artwork remains <br /> contextually appropriate to the surrounding architectural and historical environment. <br /> 2.4 Public Involvement <br /> Community input can be an essential component of the public art process in Santa Ana to <br /> ensure artworks reflect local values, histories, and aspirations. As appropriate for the <br /> proposed project, the City may gather public feedback at multiple stages through <br /> meetings, listening sessions, surveys, workshops, and partnerships. Artists are required to <br /> engage with the community, gather and incorporate feedback, document their outreach <br /> efforts, and ensure that the final artwork meaningfully represents Santa Ana's identity and <br /> collective memory. <br /> 2.5 Capital Projects <br /> 8 <br />
The URL can be used to link to this page
Your browser does not support the video tag.